I bought the Looney Tunes Golden Collection Vol. 6 for ONE cartoon, "Rocket-Bye Baby." I won't go into the quality of this collection too much—I think it's lacking—but this is the sixth volume; maybe the preceding five are better.
I spent almost four hours yesterday watching this collection for the first time in its entirety (most via fast forward) becasue these 1940's cartoons are the reason I fell in love with animation. With the help of John K.'s analysis, I've learned why I prefer those cartoons to the dreck on t.v. today. It's a matter of the characters being drawn as three-dimensional forms, not 2D, angular cutouts. And, of course, the animation is superior to anything on t.v. today. If these classic cartoons are what excite me, then watching and studying them will inspire me to emulate their skill. I saw a lot of the dry brush "zip" effect. I saw some great acting. And I saw some beautifully rendered backgrounds.
Some of the studies I did from these disks are below. I was particularly concerned about how I was going to draw the brick facade and windows for the first pan shot. Why reinvent the wheel? By going to this source, I found several examples of both and now know how I can approach it.
FYI, the notes on these pages are written in both my left and right hands (hence the difference in clarity). I'm right-handed but am training to write in my left to save the right for drawing. When Frank Frazetta had his stroke, he had to paint with his left. You never know when you might need a particular skill.